| This is acceptable; as has already been discussed, sometimes protecting the things you love isn't possible | The instruments are a mishmash of sound that doesn't seem to follow any kind of order, the singing is all over the place, and it isn't catchy at all |
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| But without being kept safe itself, it merely implodes | Synopsis Ken Kaneki has finally come to accept the monstrous, flesh-craving part of himself that he has feared and despised for so long |
The major climax of the manga was impactful and well thought out but gets completely butchered in the anime thanks to a missing major fight as well as the larger issue of simply not adapting enough of the main story to really understand Kaneki's profound development as a character, which is what makes the final arc so epic.
19| But following his beginning speeches and departure, his vocabulary is reduced to a lot of screaming and the occasional "Hide | After his previous trauma at the hands of Jason, Kaneki is no longer the scared, helpless kid but instead a confident, strong ghoul |
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| There are no answers to these questions because the show doesn't bother to talk about any of them | The only good thing about the anime is the ED |
Amon does nothing but fight and complain, Akira laments about her dead relatives, and Takizawa has some forced melodrama.
30| Only the ending stands out as actually decent and fitting for the series | To summarize, this season was poorly executed on all fronts and a great disappointment |
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| Her inner turmoil about fitting in and the struggles she faced against her brother and society are replaced with quasi-romance feelings, effectively killing any development she may have had | And after all of the time he spent with his pseudo-father, he shows some form of compassion and sadness for the only person who cared for him |
The character designs for Root A can be good at times, but are nothing too impressive.